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Foppe Schut

Students of Emmanuelle Bertrand

Concert programme by international cellostudents of the Conservatoire National Supérieur de Musique et de Danse
Students around the world
Wed 4 Nov 19:00 - 20:00
Small Hall
Past event
Wed 4 Nov
19:00 - 20:00
Past event

Celloclasses from international conservatoires present themselves accompanied by their teachers who also perform during the Biënnale. 

Program

Maurice Ravel (arr. Maï Seto) Pavane pour une Infante défunte
Giuseppe Verdi (arr. Roland Pidoux) from La Traviata: Introduction & Brindisi  
Antonin Dvorák (arr. Roland Pidoux) Legend opus 95 
Giovanni Sollima Natural Songbook N°11   
Giovanni Sollima Natural Songbook N°8 
Camille Saint-Saëns (arr. Pierre Jeandron) from Samson and Dalila: Bacchanale  

Performers

Ylia Duchemin cello
Carolane Gonin-Joubert cello
François Rogué cello
Rosane Alard cello
Pierre Jeandron cello
Miriam Bensaïd cello
Elie Benard cello
Maï Seto cello
Aurélien Fietta cello
Aloïs Decaëns cello
Elie Stahl-Planes cello
Minjae Kim cello
Emmanuelle Bertrand cello

Young top talents and cello students from The Netherlands and abroad present an hour-long concert programme.

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Emmanuelle Bertrand

Emmanuelle Bertrand is a French cellist internationally renowned for her interpretations of Romantic as well as contemporary repertoire. She received her education at the Conservatoires Nationaux Supérieurs de Musique et de Danse in Lyon and Paris, studying with Jean Deplace and Philippe Muller, has won numerous prizes, was named “artist of the year” by the magazine Diapason and the listeners of France Musique in 2011, and made her breakthrough with the wider audience when she received her first Victoire de la Musique in 2002. When she was 25 years old, she met the composer Henri Dutilleux, who described her as a ‘true revelation’. She has since premiered work by many contemporary composers, including Chanson pour Pierre Boulez by Luciano Berio.  She forms a duo with pianist Pascal Amoyel, her partner both in life and onstage, with whom she dedicates herself to forgotten music as well as the major repertoire.

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